The mansion of Sofia Vergara, Netflix drug lord
Sofia Vergara plays Griselda Blanco, queen of cocaine, in the Netflix series Griselda. Également Productrice, she loves talking about the manoir, which was purchased in Los Angeles: “ When I visited, I was impressed by the arches and columns. On Serait-cru in a castle in Transylvania. I want to see the garden after every play, but I don’t want to see a lot of vegetation for an encore. L’agencement était parfait. Or I know you’re wrong, that I appropriated this place “
For this, the actress will become the mystery of a wonderful name. Elle voulait que la maison soit ” Accueillante and convenient, que les gens aient envie de se Retrouver et de se détenre ” Voila: the details became three-volume, and the ceilings became three high. In addition, the house is in recent condition. The date of birth is 1990, and this does not quite correspond to what the actress originally veiled – this is the house with her character,” with history, with old “. After Timothy Corrigan worked on the architectural concept and interiors for several years, it was Instagram that suggested the perfect collaborator for Vergara to perfect the transformation: Oharu Davis-Gaetano, a Los Angeles-based decorator. ” I appealed and we went to December: I love my ideas. Lorsk je lui ai remis mon dossier d’inspiration, I realized that many images étaient les siennes “
Sofia Vergara explained to the decorator that her light had gone out. ” Sofia chose a foie éfiri et encre style home that chose friez, property and light, with plenty of antiques for the patina and embellishment of the architecture. “, explains Ohara Davis-Gaetano. ” Il Fallait qu’on ait l’impression que tout soit à sa place, que toutes les pieces that contain history “, the actress added.
Ohara Davis-Gaetano and Sofia Vergara decorated the home with oversized antiques from Zaveda, Spain, France and Italy. In the salon, for example, there is a French cheminée en Stone Stone of the 18th century and a Persian tapis Tabriz pâle, tandis qu’une para de fauteuils baroques lourdement scultés et dorés reposes sous un luster Italian lyrique du XIXe siècle: ” I don’t want the money to be split between the pieces, but what I want most is the stuff: I don’t want the furniture to be more valuable than the people who might use it. “, explained the actress.