Zoe Saldana and Britney Spears sing in the car: this scene from Crossroads features a historical cache – Actus Ciné
Finally available on streaming, Crossroads remains the highlight of Britney Spears’ career. And a specific episode of the film concerning the life of a star and the music industry of that era.
Introuvable for streaming in France, Crossroads unfolds on the platform. Available on Netflix, the scene and actress Britney Spears’ unique experience in film give her fans a look back at the pop star in the romantic road movie.
Nanar pour les uns, a cult film for others, this film that did not pass by the best souvenir a la star, a big plus of $61 million at the box office in 2002, but most of all a rating of 1.5 out of 5, assigned by members of the AlloCiné community.
The qualities of Crossroads are debatable, I missed the presence of stars and future stars in the casting and a scene signed by a future amazing showrunner, knowing Shonda Rhimes who is developing the Grey’s Anatomy, Scandal and Murder showrunner team and production. Bridgerton!
When Britney Spears sings “Bye, bye, bye”
Moreover, this film represents the 2000s well and evokes a pleasant nostalgia, plus de-wing and after sortie. It’s something indescribable about Britney Spears’s career, a close look at life in public, the media and the time of a particular era, like a defense of the realist Tamra Davis.
This is a special scene that crystallizes the “Crossroads and the Life of Britney Spears” era: the group of Lucy (Britney Spears), Keith (Zoe Saldana) and Mimi (Taryn Manning) sing “Bye, Bye, Bye” by *NSYNC, which is also part Justin Timberlake’s Petit-Aud-era Britney Spears-era boy band.
Chief Conductor Ben (Anson Mount) from the car that brought us all on the journey is not the greatest content of this son’s musical pendant. And Tamra Davis explained Entertainment Weekly Why is this sequence important:
“La scène sur du (*NSYNC) is a summary that takes place in the music scene of this era. C’était ce mélange de la musique que (Ben) voulait écouter, qui était du Nirvana et du alt-grunge, et de ce que les filles voulaient écouter, qui était *NSYNC, les Backstreet Boys and les boy Bands. We love the contrast of radio.”
Realist memory, if this music is accurate, represents déjà vu in this scenario, but most of all it was done by my son for that scene, which is: “Je pense que jusqu’à la dernière moment, nous ne savions pas si nous aurions les droits parce que c’était une chanson giganteque.”
He did not say that Britney Spears intervened in the song that sons forgive with little friends of the era (avec qui elle s’est separée peu de temps après), so in the film she, but most of all she has a special meaning, à la lumière de ce que que la chanteuse a Pur Raconter Sur Leur Relations dans ses Mémoires The woman in me or this is what can be seen in the documentary “Framing Britney Spears.”
The movie “Crossroads” is available on Netflix.