Commentary by Beyoncé and Lil Nas
February 11, c’était l’incontournable Super Bowl… Aux États-Unis la Finale du Championnat de ce qu’on Appelle American football. Alors qui a gigne? Great gagnante c’est Beyonce. It looks like the Super Bowl is also a music event for Anne. And this year the performance will be held as part of mi-temps avec des performances dingues d’artistes comme Usher. But the show goes on in the pages of a pub that houses a fortune. This is the voice I understood:
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Le morceau, Furieusement Country, announces the son’s foray, other album le 29 Mars. Comme le petit deuxième sorti dans la foulée sur lesplateformes: “16 carriages.” And it was a successful advertisement. Both titles are a sizzle in the national classes. This is the first time a black artist has taken notice of these events.
It is a symbol of country music, a redneck-owned nationalist industry uniting white reactionaries for the racist entitlement of racist states. Black artists are among the origins of this musical genre. For example, the banjo, this instrument, ubiquitous and imported into the “black eclaves” of the era.
Printemps 2019, arrival at the Old Town Road
Old Town Road from rapper Lil Nas
Lil Nas Would love for the country’s pseudo-purists to be successful in their business. Et ils vont reussir leur coup.
The billboard, which posts links to car classes, is in place of Old Town Road in the Country category, before moving Son into the Rap category. Classer Old Town Road in the countryside lui aurait allows you to touch a wider public, de bouleverser a classement bien trop blanc. This is what Lil Nas says I don’t want to avoid racism in life.
“J’ai écrit beaucoup de morceaux country” mais aussi cool que ce soit de voir son nom dans ce genre de credits, le racism that will arrive after est juste… Donc je prendrai juste le check“**T Pain confirm on Tiktok live that they are not the device in the country name that causes racism.
With the album available alongside her latest album Renaissance and the techno genre, Beyoncé promotes country’s black roots. In Texas Hold’em, she sang banjo by Rhiannon Giddens, a black woman from Australia.
