Free online: when Adele Haenel finds Jean Dujardin (unlikely outcome)
An “absurd meeting” (in a good sense of the word) between Jean Dujardin and Adele Haenel in place of the chaotic direction of Quentin Dupieux, the implementer of “Yannick”. The best film of the author’s son is available for free viewing!
Georges (Jean Dujardin), a man fascinated by his blouse in everyday life, devient du jour au Lendemain… un tueur en série. Yes Yes. Voilà pour le Pitch du Film “Le daim”, available for free live streaming on August 18, is released on the francetv platform. Itonnant no? But, if you know that this is a comedy film by Quentin Dupieux, the fact that he makes Yannick, Realite, Daaaaaali! took you by surprise.
A natural car, this story that makes the hyper-bloody horror film est d’une réjouissante absurd. “Le daim” is the meme buscule of the Quinzaine des Réalisateurs at the Cannes Film Festival 2019! But in fact, this is a date in the career of the author’s son and in French cinema in general, this is a place in which two personalities are united, very strong and antinomic: Jean Dujardin and Adele Haenel. Collision by connections.
D’un Côté, unsymbole plutôt Lisse du Cine hexagonal, toujours encourages the defense of tradition and terroir, de l’autre… Une comédienne enggée, feministe, aux revolutionnaires. Sacred duet!
Premiere (and final goal) in the world of French cinema plus déjante for Adèle Haenel.
In this UFO approach to creativity, loneliness and fetishism, Adèle Haenel embodies the discrete role of more than three brands: Denise’s mobile phone and the cinema bar service, which is still alive. He travels to the country of Georges, who has nothing but a digital camera. Two atypical options in the Pyrenees.
David Lynch’s Australian character, Georges Devoil-Volontje, son of feelings, very connected to Denise’s reality, my dangerous things seem more “carefree”, as well as: her project “Pulp Fiction”, à l’endroit. Quentin Tarantino’s classic is considered a puzzle narrative…
“Je crois qu’il ne faut pas chercher à faire le malin dans un quentin dupieux. It’s just this place. Ca Donne Forcement Quelque chose d’inattendu avec lui. It’s a strange dealDujardin, que l’on maginait pas Force aux Côtés d’Adele Haenel. In the film, on the note un décalage, constant between two characters… Facilité par le fait que The world of Quentin Dupieux makes this décalage the main note!
This was the first premiere at the last performance of Adèle Haenel in the imagination plus French filmmakers. On the souvenir car, the actors and appreciate the talent that the three filmmakers have who love Venus because of her: comic sensibility. This is a curse, a Pierre Salvadori and Quentin Dupieux machine, based on the fact that the female interpretation excels in this area.
Allez, come on!